After enjoying 23 years of success as a commercial photographer, she shifted her career to become a gallerist, opening The Robin Rice Gallery in 1990.Ĭurating 175 shows, Robin developed her own “school” of artists, cultivating a keen eye for curating and in doing so enriching the aesthetic of her own fine art photography. In 1977, Discoworld Magazine hired her to photograph the opening night of Studio 54. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. ![]() In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. ![]() As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. ![]() For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. Inquire within for framing.Īfter 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. In the same way Yoko had nothing to do w/the Beatles separating (hell all groups disband at some point), Meg has 0 to do w/ Harry’s choice.Listing is for UNFRAMED print. When given the opportunity to clown, most white women will take it. I’m done with her.”Ī third person tweeted: “I historically gave Carla Bruni a lot more credit. “Funny that they never blame any of the white female partners. “Carla Bruni, a white woman, continuing to blame WOC for the decisions their white partners make,” another person tweet. “Meghan has been the target of multiple death threats in recent years, Yoko was threatened many years ago and then John was murdered.” ![]() Why are you condoning racism and supporting hateful rhetoric?” one wrote. Why would you post something so insensitive? Seriously. Many other people expressed that post was racist towards both Yono, Meghan, and other women of colour and emphasised that they wouldn’t be supporting Bruni’s work anymore. When someone like you, Mrs Bruni, does this, I find it quite upsetting because am one of your followers.” Was that really necessary?” another added.Ī third person wrote: “When a woman turns against another woman for no reason whatsoever is quite disturbing. “And to think I’ve always been a fan of yours. “You have a right to your opinion, but you could have just not posted this… adding to the negativity in the world, and for what?” one wrote. In the comments of Bruni’s post, many Instagram users criticised the French singer for comparing Meghan’s behaviour to Ono.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |